PSB Television in a digital world – what’s the recipe for Wales?
On April 6th there was a chance to get Welsh voices on the record at the session for Wales of David Puttnam’s Future of PSB TV Inquiry. The event was hosted by Cardiff University’s School of Journalism, Media and Cultural Studies. This independent inquiry is gathering evidence from around the UK and will report in June.
I spoke for the Institute of Welsh Affairs alongside Angharad Mair (Tinopolis, BAFTA Cymru), Huw Jones (S4C), Rhys Evans (BBC Cymru Wales) and Ian McKenzie (Nations and Regions, Channel 4).
“The Inquiry has been set up to consider the nature, purpose and place of public service television today and for the future. It aims to address how public service content can be most effectively nurtured taking into consideration a range of services, platforms and funding models.Continue reading Future of PSB TV Inquiry – Wales→
Another fascinating group of people on my workshop for academics about involvement in tv documentary on 1st March.
This three-hour session for Cardiff University Graduate College covers what an academic needs to know about how tv documentary gets developed, commissioned and made and how academics can contribute successfully and enjoyably. Universities commonly offer training in how to engage with news via sound-bites but seldom on what it means to be involved in long-form output or series.
On the day of the IWA’s Cardiff Media Summit I fronted an analysis of the challenges facing broadcasting in Wales shown on The Wales Report BBC One Wales ahead of Huw Edwards’s interview with BBC Director of Strategy, James Purnell.
“This is the story I want to focus on this evening.” said Tony Hall, Director General of the BBC in a speech given to Cardiff Business Club on Monday 23rd November. “The BBC as a home for distinctive quality and creativity, supporting the best talent and brightest ambition – a driving force behind the UK’s extraordinary global competitiveness in the creative industries.”
How big is ‘small’ in terms of a nation? And to what extent should size determine the value of a culture? Or should cultural value be kept separate from political clout? These questions matter increasingly in many arenas but on 16th November I spent a day at the first of three University of South Wales workshops with people who address them in terms of tv. It was fascinating and inspiring.
I loved the trailer we were shown by the producer of Norskov, a new Nordic detective story set in a fictional regional town in Denmark. A cheerful character addresses a huge, jovial crowd:
“Some people say Norskov’s out on the edge. I guess they don’t know the world’s round!”
The BBC Trust held a seminar in Cardiff ‘as part of the Charter review process’ on 20th October. It was open to the public but the majority of those present were media workers, academics or correspondents. The Western Mail report on it is accurate but conveys nothing of the atmosphere among the attendees which was, at times, mutinous and, finally, outspokenly critical. These sore spots have to be examined or they will go on festering to no good purpose.
British, Bold, Creative: a catchy, punchy title for the BBC’s statement of its plans for the next decade and beyond but, read from the point of view of the Welsh bit of ‘British’, the contents are something of a curate’s egg.
One sees the effort to engage with the Nations and Regions. There are suggestions about reconfiguring the delivery of news and about opening up platforms for a wider sharing of materials. The aspirations are right, as in section 7.3 Entertaining the whole UK:
Firstly, we will improve how we portray and represent the different Nations of the UK on our pan-UK network services. Secondly, we will strengthen the services for each Nation.
I don’t know if anyone ever addresses Lord Hall of Birkenhead, Director General of the BBC, as ‘butt’. I suppose I’m unlikely to find out as he probably has more pressing questions to answer in these days of Charter Renewal debate. Nonetheless the question came to me as I reflected on a blog I wrote yesterday attempting to unpack what Tony Hall meant when he used the word ‘culture’ in a speech in Cardiff in 2014.
there are some aspects of national life in Wales that are not sufficiently captured by the BBC’s own television services in Wales, and I would include comedy, entertainment and culture in those categories
I don’t want to treat that speech as some gospel to be mined for esoteric meanings and yet light did dawn, and the clue was an in example of one of the genres whose erosion he lamented in that text. He named comedy, entertainment and culture as genres whose production has been eroded, in the last decade, on English language television in Wales. I found myself thinking about a comedy series which, in my view, is one of the best BBC Wales has ever made. Continue reading Scampi and the Meaning of Life – TV and Culture in Wales→
If a thing is repeated often enough it begins to be as persuasive as though it were true.
We’ve never had it so good, apparently. We live in a televisual Age of Plenty with digital wares piled high in the marketplace and so it’s time for the BBC to withdraw from universality and to stop disadvantaging the commercial sector by its scale and success; the level of public funding gives the BBC an unfair advantage over its competitors and the BBC should become more ‘distinctive’, confining itself to things the market can’t or won’t provide.