Edited by Daniel Ashton and Catriona Noonan (Palgrave Macmillan 2013)
I read this chapter on ‘cultural industries practitioners working within higher education’ with interest since I fit that category and have seen little written about this experience. The sample is rather small, drawing on interviews with 12 practitioners in three industry sectors at five HE institutions, five of whom are Games Designers. However, there are references to various academic works on the topic. The key thing is that the role of industry practitioners is receiving some consideration. There are many nuggets of insight here. Continue reading Industry Practitioners in Higher Education→
Unanimous praise for Calvary but disagreement over whether religion has ‘moved to the periphery of Irish life’
Fun being among the reviewers but I found myself at odds with them on this point.
Far from religion being on the side-lines, this film presents it as being so close to Irish hearts that its betrayal by clerical abuse of children results in a seething anger against clerics and the Catholic Church. Religion has failed but faith, in this film, is precious.
My favourite film, Bresson’s ‘Diary of a Country Priest’ is the model here. In both films a good priest is surrounded by embittered, suffering parishioners who taunt and confront him with the monstrosity and absurdity of suffering. There is plenty of jeopardy of the usual who-dunnit type but even more hangs on the risk that the priest will compromise his principles from sheer fellow-feeling.
A key role is that of the newly bereaved French wife whose clear-eyed acceptance of enormous loss proves a touchstone. Integrity, the coherence between what a person believes and what he or she does, is a major theme.
A great cast. Brendan Gleeson and his son, Domhnall are powerful in one of the many one-to-one encounters.
Why do we get angry at suffering as though it is something unexpected? That’s a question I feel this film put in front of me.