It is such an encouragement to win this competition. Adjudicator, Laura Foakes said of my story, Acting Abby:
This multi-layered story stayed with me long after each reading, which is always a sign of a job well done. The author conveyed her understanding of the vagaries of the human condition in a profound but unsentimental way. The wistful first-person narration drew me immediately into the story and the “voice” was strong.
I particularly liked the device of using a stage play as a metaphor for the judgements people/audiences make, and the eventual unfolding of the “choice” the narrator made. The author invites us to judge at our peril. This is a very accomplished and thought provoking piece of work.
The competition is run annually by the Bridgend Writers’ Circle whose members meet monthly at Carnegie House in the town centre. I was struck by their dedication to the craft of writing and realise I have a lot to learn about the network of writers, writers’ groups and competitions in the UK.
The experience of reading my story aloud was valuable because I experienced it in a new way. It’s something I’ll do more of, during the writing process, to give myself some useful perspective on the work.
I couldn’t have been made more welcome and novelist Laura Foakes has kindly read a story currently in draft and offered me valuable comments.
And, as a bonus, I got to see Bridgend’s War Memorial (I gravitate towards those!). A strikingly sensual Britannia.
I first worked in radio for the BBC in Wales in 1981. I’m still learning. On the 2nd July 2017 on the Jamie Owen Show I learned: always have your opening prepared, no matter how informal the programme. The right blend of spontaneity and clarity flows more easily after that.
This show mixes recorded music, live performance, two guest commentators and two interviewees. The brief is weird and wonderful angles on the week’s news so, along with fellow commentator, comedian, Frank Honeybone, I enjoyed sharing some ‘couldn’t-make-it-up’ stories with listeners.
The Media Studies students of Michigan State University once again impressed me with their appetite for encountering the cultures of the British Isles. The university organises an impressive visit every summer for about 20 students on a variety of media-related degree courses. I’ve given them a class on documentary for the last 7 years with the kind collaboration of Cardiff University’s School of Journalism, Media and Cultural Studies. Continue reading Media Students from Michigan State University in Cardiff→
Angela Graham, a Welsh-speaking TV Producer from Northern Ireland, was awarded a Literature Wales Writers’ Bursary 2017 to complete a collection of short stories. She describes getting to grips with the business side of writing. This blog appeared first on the Literature Wales website http://www.literaturewales.org/lw-blog/bursary-strategy-angela-graham/
Even before I knew I’d been awarded a Literature Wales Bursary I’d decided I would commit to writing as soon as a major work project finished on the 29th April. When the Bursaries were announced on the 30th I’d already booked myself a fortnight of relative solitude in Strangford, Northern Ireland. The encouragement of the Bursary was a real boost for this period.
Ignorance prevents me having an opinion on The Latin American Short Story but after hearing Juan Villoro (Mexico) and Andrés Neuman (Argentina) speak on that topic on May 31st I am keen to start forming one by reading their work and that of other writers they mentioned. What engaging, perceptive and generous speakers they were. Continue reading South American Short Stories – Fiction Fiesta→
I really enjoyed Launchpad:Access held in Cardiff on 13th May. Organised by Ffilm Cymru Wales in partnership with Hijinx Theatre, CULT Cymru, Disability Arts, Diverse Cymru and Equity, it aimed to get more deaf and disabled people represented in, and working on, film, both on screen and behind the camera. Many of the principles and insights presented would apply across media. I attended in order to improve my understanding of the experience of deaf and disabled people working in film and how I might, as a writer and tv producer, respond more creatively to that. Continue reading Inclusivity in Film – Launchpad:Access→
A stimulating day on May 10th for journalists and ‘believers’ which contained a sharing of professional expertise, a chance for encounter and a special training session on the use of Social Media and How to Write a Press Release . See my blog on the NUJ Training Wales site. [Images by @HirstPhotos]
Competition Adjudicator, Laura Foakes said of my story, Acting Abby
This multi-layered story stayed with me long after each reading, which is always a sign of a job well done. The author conveyed his/her understanding of the vagaries of the human condition in a profound but unsentimental way. The wistful first-person narration drew me immediately into the story and the “voice” was strong. I particularly liked the device of using a stage play as a metaphor for the judgements people/audiences make, and the eventual unfolding of the “choice” the narrator made. The author invites us to judge at our peril. This is a very accomplished and thought provoking piece of work.
A website is one thing but a person is the real thing. Gethin Evans, Associate Director of the Sherman Theatre, Cardiff gave the Cardiff branch of The Writers’ Guild an up-to-the-minute tour of opportunities for engagement and a sense of the Theatre’s ambitions and future projects in a lively encounter at May’s meeting.
The Sherman’s Artist Development page has not quite caught up with the calendar as most of its references are to 2016 so it was enlightening to get a sense of how the various projects are developing.