Category Archives: Blog

Languages in conversation: Fragments of Scotch Poetry project

As part of Belfast International Arts Festival the Linen Hall Library launched its Fragments of Scotch Poetry project, a creative encounter between contemporary poets in Scots, Ulster-Scots, Scots Gaelic and English and featuring the Scots Makar (National Poet of Scotland), Pàdraig MacAoidh and former Scots Makar, Kathleen Jamie. (She will be featured in a Linen Hall event on 4th November Kathleen Jamie in conversation with Chris Agee – The Linen Hall, Belfast).

I was one of 10 poets commissioned to respond to a poem from the Library’s Gibson Collection of Burns material and works by other poets of Scotland. ‘Fragments of Scotch Poetry’: the influences of Robert Burns – The Linen Hall, Belfast Via this link you can see some of the major works in the collection. A fascinating resource.

In 1786 The Belfast Newsletter published extracts from three poems under the heading ‘Fragments of Scotch Poetry’. The un-named author was Robert Burns.

I welcome any opportunity to broaden my awareness of my literary heritage and the context in which I write. I have always been aware of the Irish Gaelic tradition, mainly through translation, and the fertile reaches of Irish writing in English. The influence of Scotland has been part of my writing background, and come more to the fore since I have been writing in Ulster-Scots.

The Gibson Collection contains much work of a Scottish sensibility in English. Engaging with it is like opening a window wider, extending the view, breathing more deeply. Since I went to live in Wales as an adult, Welsh writing, in Welsh and English, has been a great gift to me. Scotland has been a part of my atmosphere since birth, I could say, and I welcome any chance to get to know its writing better.

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September and October

It has been a very busy time. Headlines!

Published 23rd October Angela Graham on participating in the Community Arts Partnership ‘Poetry In Motion’ Project and the Seamus Heaney Award for New Writing | CAP Arts Centre

I warmly recommend the 4 interviews with Award winner, Jason Lovell. In one there’s a short film of Seamus Heaney reading his poem, ‘Whatever You Say, Say Nothing’ The Monthly interviews Seamus Heaney Award winner Jason Lovell – Part 2 – Development of craft through reading | CAP Arts Centre I was able to publish Jason Lovell’s poem on the back cover of ‘Fortnight’.

Published mid-October: Issue 499 of ‘Fortnight’, Northern Ireland’ s journal of politics and culture. I guest-edited the Arts section and it was such a pleasure to work with these writers.

On October 11th I was one of the winning writers taking part in the Soundwaves Performance Trophy competition in Portrush Town Hall as part of the town’s Swell Festival. A lovely evening, so warmly and efficiently compered by Mary Farrell. The winner of the Poetry Performance Trophy was Gary Devenney. The Poetry Prize Winner, Colin Dardis. The standard in poetry and prose was high. So much verve and imagination and so entertaining.

On 22nd October the Fragments of Scotch poetry Jukebox project was launched at the iconic Linen Hall Library, Belfast. I am one of 10 poets commissioned to write a poem in response to a poem from the Library’s Gibson Collection. The jukebox is sited in the Library. You can hear each poet read a poem from the Collection and t a poem written as their own response to the Collection, along with the poem texts, with readings by the poet.

On 20th October I delivered the final version of my next poetry collection, ‘Exposure’ to Culture & Democracy Press. It will be published in February 2026.

On 11th October Culture Matters launched the anthology ‘We not Me / Ni Nid Fi’ https://www.culturematters.org.uk/cm-publications/books/we-not-me-ni-nid-fi/ “these poems rise up in hurt, indignation and anger, but also in hope and compassion. We not me, us not I.”

April to September 2025

My writing life has been very busy so here are just the headlines of the last few months…

Seamus Heaney Award for New Writing: I was a finalist. Award ceremony 31st August at the Seamus Heaney Home Place, Bellaghy.

With Conor Shields, CEO of CAP Arts at the Seamus Heaney Award event

I have been completing my collection, ‘Exposure’, 75 poems on War, Media and Democracy, due in March 2026 from Culture and Democracy Press.

An article on the ancient poem, ‘Stabat Mater’ for Conversations journal.

I am editing the Arts section of issue 499 of Fortnight magazine, due October :

Broadcasting and Devolution in the UKDr Phil Ramsey et al
Healing Through PhotographyBelfast Exposed team
Raymond Warren composer appreciationEdward Davies
Examining the gap in troubles fiction from a rural female Unionist/Ulster-Scots perspectiveDr Adeline Henry
 The Brontes In Ireland: A ReappraisalUel Wright
Fieldnotes from Celtic Palestine, 3 Irish & 1 Welsh writers/artist on Palestine Prof Diarmit Mac Giolla Chriost.
REVIEWS      
Philip Stephens  – ‘These Divided Isles: Britain and Ireland, Past and Future’Prof Richard Wyn Jones
Liam Carson poetry  ‘Belfast Twilight’Alexandra Corrin-Tachibana
Martina Devlin’s novel ‘Charlotte’Prof Melissa Fegan

The Storms Journal, issue 5: my poem ‘Maksim Levin’s Credo’.

These Pages Sing, Summer issue: my poem ‘On Rathlin’.

Reading at Button Press’s event at the Farset Hotel, Belfast 26th August.

Reading at the Button Press fund raiser

My poem, ‘By Ordinary Means’ selected for the Performance Trophy at North Coast Writers festival, Portrush. Event 11th October.

Two poems accepted for the Iolo Morgannwg anthology, marking the 200th anniversary of his death.

Poetry reading at Corrymeela International Conference, 18th July.

Poem in ‘Umbra Sumus’ edition of Abridged poetry magazine.

Poem in These Pages Sing

These Pages Sing describes itself as ‘a quarterly, English-language magazine made in Wales. We aim to highlight unsung Welsh voices to honour our diverse culture and rich history.’ I was very pleased to have a poem in the first edition.

‘Cardiff Docks, 1931’ is about my father’s years in the merchant navy when he worked out of Cardiff for more than a decade before the Second World War.

In 2024 St Fagans National Museum of History, just outside Cardiff, opened its reconstruction of The Vulcan, a pub which had been moved from central Cardiff to this site. Below is a video which gives a virtual tour of this pub which features in my poem.

Cyrchfan Cyfiawnder – documentary screening

The first tv programme I produced after leaving HTV Wales in 1989 was ‘Cyrchfan Cyfiawnder’ (Destination Justice), an hour-long drama doc for S4C. It was made by tv production co-operative, Teliesyn. I had just become a member. I had spent 8 years working for the ITV station in Wales but the shift to an independent company meant learning how to operate without the bureaucracy and the safety net of a national broadcaster.

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Star launches at Corrymeela

On 4th November ‘STAR’ was launched at Corrymeela, Ballycastle to a wonderfully receptive audience.

Corrymeela, Centre for Reconciliation, is very close to my home in Ballycastle and it was a privilege and a pleasure to hold the launch there. The Centre has done ground-breaking work for decades in bringing communities together and it has develoepd protocols for achieveing reconciliation through hard-earned experience of tackling difficullties in many settings.

It was particularly supportive to have members of Ballycastle Writers Group there and member, Ashley Todd kindly read my poem in Ulster-Scots from ‘Star’: ‘Chrissmas Eve’. She was terrific!

Ashley Todd reads ‘Chrismass Eve’ from ‘Star’

It was very special for me to read to friends from the locality and the staff and members of Corrymeela Community couldn’t have been more helpful.

The Irish Times: ‘Waking Up To Christmas’ 17 Dec ’24

On 17th December 2024 The Irish Times carried an article by me about ‘STAR’ entitled, ‘Waking Up To Christmas

I focused on my admiration for the 12th-century scuptor, Gislebertus who not only designed and oversaw the construction of the cathedral of Autun in Burgundy but also carved some of the most beautiful works of art on its facade and in its interior.

I’d long felt that an image of Gislbertus’s carving ‘The Awakening of the Magi’ would be right for the cover of ‘STAR’. (The article contains a photo of the carving). I found a wonderful linocut by Martin Erspamer, which is his take, in that medium, of ‘The Awakening’; the moment before the three astronomer kings see the Christmas star for the very first time.

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