I’m delighted to be contributing alongside some great poets and swimming enthusiasts, Polly Atkin, Katrina Naomi and Elizabeth-Jane Burnett in this session celebrating swimming and writing. I don’t think both can be done at once but I’m open to persuasion!
I enjoy writing about the sea and especially about being in it. It is an intensely physical experience and I often think of it in terms of an encounter with power.
https://cardiffpoetryfestival.com/2021-event-13/
Here’s the opening of a poem I wrote about looking back on memorable moments in a year as it ends: (pubished in The Bangor Literary Journal)
AS THE YEAR BEGINS
for Gill and Alan
I would like my grave to be
marked not by a stone but glass:
a sturdy panel, windowing my life
in a mosaic of seeing / seeing-through.
Here, in a piece of most particular − almost royal – blue,
Maria Isakova Bennett celebrates Poetry Day Ireland 2020 by the creation of a collaborative poem made up of lines she has selected from poems specially written on that day with the sea as a theme. I chose to write about Broughanlea Townland where I live near Ballycastle.
Her beautiful stitching work enhances the presentation of the lines as they create, together, a harmony of sea sounds.
My poem, FULL CIRCLE, BROUGHANLEA TOWNLAND, COUNTY ANTRIM is part of the work I am doing on Place and Displacement for which I recieved a SIAP Award from the arts Council of Northern Ireland in 2019.
Maria hopes to arrange a reading involving all 34 contributing poets around the coast of Ireland when circumstances allow.
This lovely project brings together poetry and embroidery, two things I’m very keen on. I have plans for a stitched seascape!
A pleasure to do two Winter Readings for Issue 12. The photograph of the broken and re-assembled Annunciation Window in Llanfair, Yr Wyddgrug (Church of Saint Mary, Mold) is by Prof Emerita Madeleine Gray.
Thaw & Quite All Right, Thank You – Deep Time (volume2)
Freedom in the imminent Freedom / Rapture issue
Alongside these are 5 other poems. Plus a pair of poems – Triptych and Three Stones – inspired by images: respectively, a painting by Matthias Grünewaldand three photographs by the writer and photographer, Phil Cope.
Matthew M.C. Smith is an adventurous, and apparently indefatigable, poet and poetry impresario. It may be his gift for collaboration which enables him to be so productive.
This beautiful-to-handle, easy-on-the-eye, large-format book from Black Bough Poetry has been produced by a team and assembling a coherent team is a skill in itself. The members are:
” Welsh writer, Laura Wainwright, Louisiana’s former Laureate, Jack Bedell, and Aotearoa’s, Ankh Spice. The amazing illustrations are by Rebecca Wainwright, a Newport-born artist from Newport in Wales, now living in London. Music for this project is composed and curated by Brisbane-based Stuart Rawlinson.”
Deep Time volume 2, is Black Bough poetry’s second print anthology. It is dedicated to the writer Robert Macfarlane, who wrote award-winning non-fiction work, Underland (2019).
The Arts Council of Northern Ireland has given me a Support for the Individual Artist Award towards the drafting of a collection of poetry on the theme of SANCTUARY.
I am honoured to receive this funding and greatly appreciate the encouragement.
This collection will not be written by me alone. The funding enables me both to involve four other poets who will each contribute a poem, written in collaboration with me, and also to benefit from mentoring by Glen Wilson, author of the poetry collection An Experience on the Tongue (Doire Press) and winner of the Seamus Heaney Award for New Writing 2017.
Poetry Pause is run by Emma Baines, Philippa Davies and Jean Riley near Narberth, west Wales. In Episode 7 the focus is on Carol Ann Duffy and has a powerful sonnet from Mab Jones and one from me.