Category Archives: Portfolio

Poem in Black Bough #2

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It was an inspiring theme from Matthew C. Smith, editor – the 50th anniversary of the Moon Landing to be dealt with in no more than 10 lines in an imagistic style. I wrote Moon, Landing from the perspective of the moon coming to earth rather than humans going to the moon. See Broadside 5. Black Bough Poems

Moon, Landing 20th July 1969

I was moon-hungry, ten years old,
So I set a mirror on the beach
And lay in wait that night.
Moon landed there, looked up
And was a child! Like me, an only child,
Tentative and curious, hoping to play.
To have him as my friend, I saw
I’d have to let him go
And come at will. Chastened, I prayed
That all the astronauts would lose their appetites.

On the same theme I also wrote a poem in Ulster Scots which will be in #9 of The Bangor Literary Journal, launching August 18th and First Death of The Troubles, occurred 14th July 1969 about the context of the Moon Mission in Northern Ireland – this is on my website.

A Telling Week: 50 Years On

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This is a week of momentous anniversaries, of the Moon Landing and also of a significant escalation of unrest in Northern Ireland, including two deaths in controversial circumstances.

The call-out for poetry for Issue 2 of Black Bough Poetry, for Imagist poems on the theme of the Apollo mission, prompted me to write three poems (one in Ulster Scots). One of these, ‘Moon, Landing’, is in the issue and another  is here below. I wanted to consider the context in which I experienced the Moon Landing, and anniversaries which make us reflect on progress and also how we deal with memories, and with events, resolved or unresolved. Continue reading A Telling Week: 50 Years On →

Poetry: A Year’s Mentoring from Glen Wilson

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I am so thrilled that the poet, Glen Wilson has chosen to mentor me for a year. The aim is to compile a collection.

Glen’s collection An Experience on the Tongue has just come out from Doire Press. He won the Seamus Heaney Award for New Writing in 2017.

This amazingly generous initiative was sparked by Matthew C. Smith of Black Bough Poetry.

Words at the Seamus Heaney Home Place

I’m particularly pleased that it is a poet from Northern Ireland and a poet from Wales who have been instrumental in giving me this wonderful gift as I have a project on Writing in Wales and Northern Ireland with the Centre for the Study of Media and Culture in Small Nations at the University of South Wales.

A Welsh Novelist of Northern Ireland

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March 18th 2019 is the hundredth anniversary of the birth of Welsh novelist, Menna Gallie. She wrote one of the very first novels to engage with the Troubles: You’re Welcome To Ulster.

Set in 1969, it was published by Victor Gollancz in 1970. It is a fascinating double perspective on political agitation in both Wales and Northern Ireland written by a Welsh-speaker who had swiftly got under the skin of Northern Irish society.

Honno Press has re-issued four of Gallie’s novels and this month there is a 25% reduction on their price , using the code mg100.

Continue reading A Welsh Novelist of Northern Ireland →

The North at The Irish Literary Society

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The Irish Literary Society hosted the London launch of  issue 61 of The North magazine on February 25th. Published by The Poetry Business it is devoted to contemporary Irish poetry:

“119 poems by 106 fantastic poets”.

The Irish Literary Society is a child of the Irish Literary Revival of the late nineteenth century. Among its founders were WB Yeats and Douglas Hyde. Since 1892 it has championed and promoted Irish literature and facilitated discussion of and engagement with it. Continue reading The North at The Irish Literary Society →

2 Poems in Bangor Literary Journal Issue 7

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The two poems chosen are from my set prompted by the concept SAINT which also inspired my short story in issue 10 of The Lonely Crowd, ‘Above It All’. An article on the writing of it

Writing ‘Above It All’ / Angela Graham

The Saint Sets Out

Was it at night he launched the boat?
The surf was sound,
Thudding, thrashing, arriving, arriving
And he mad to be gone.
Was he a stern commander of his men:
Jerking a slack rope taut,
Skewing a too-straight line;
Or was he the silent type:
Hunched at the prow,
Stinting his energy from tasks
That could as well be done by any,
Knowing himself to be
The only crucial compass for them all?
Whichever, the sea was wide
And the boat small.
The lamp at the masthead swaggered crazily,
A spangle, hoist to light a vaulted dome.
The sea, un-seeable, was chaos, roaring,
Nothing stable but a few stars:
Blasé observers
Of all this casting-off and letting go.
In bone-tight cold and swingeing spray
Those on the wind-skinned strand
Watched a departure into black −
No wake, no skyline −
But when the voices shredded
As the sea swung in behind them
Then (since in darkness any light is Light)
The eyes who sought made out an ensign:
The boat itself become a buoyant star.

When the Saint Wavered

At the last moment
He took a small stone with him to the boat,
Roughly round, a solid talisman.
Dry beach, it said among the waves,
Powder; desert; firm, un-tilting mass; stanchion; plumb-drop …
An un-staunched litany:
Praise of the parched or steady
At every touch.
When, after many days, he knew (they knew, all knew)
That they were at a loss,
He weighed in his palm
His last-of-land.
He felt their anxious, trusting eyes
And let his pumice Jonah go
Over the side.
That night in drifting sleep he heard
A hunter among leaves:
In the pursuit of love, beloved,
You have to risk the throw.
Loser takes all.
With nothing left to hold, be held.
He woke among veils of drizzle, grey as dust,
And the sound of birds:
Their first landfall.