Category Archives: Media

Faith and Violence – the journalist’s role

On New Year’s Day this year the Western Mail published an article by the Secretary General of the Muslim Council of Wales, Saleem Kidwai. He claimed that a precious achievement in Welsh cultural life is in jeopardy and that a generation have felt ‘rejected by their fellow Welshmen’.

 Welsh-Muslim youth who thought themselves like any other Welsh person got a rude awakening post-9/11 — a sort of cultural shock that they were not like any other Welsh person. Overnight, they were the other, the enemy…

As Mr Kidwai set out the traumatic ramifications of this tragic dissociation I felt the force of his appeal that, “As a society…  We have to reject any attempts to marginalize Muslims as second-class citizens” but I was perplexed as to how to go about that.

Until I perceived a potential response from the world of journalism itself – from journalism in Wales.

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Silent rally in Cardiff in the wake of the Charlie Hebdo killings

Continue reading Faith and Violence – the journalist’s role

Passion and Policy – Documentary in Wales

 

Doc Heads

On Friday 29th May Documentary Wales/ Dogfen Cymru is holding a symposium in Cardiff:

to discuss the future of documentary film in Wales. Drawing together a range of talent from Wales and beyond, the day will be an opportunity to meet a diverse collection of individuals who share your passion for documentary.  The focus of the day will be on:

  •  Strengthening the community of documentary film makers currently working in Wales
  • Exploring ways of building the audience for documentary film in Wales
  • Discussing future plans for supporting documentary film within the Welsh production sector

Without good policy no social endeavour flourishes as it might. Structures start from policy. Policies are not made by machines but by people and people have beliefs and values and prejudices, all of which can be discussed, debated and shaped into principles on which actions are based. Those actions influence both what is possible in the social sphere and what becomes impossible.

To make Wales a place in which documentary flourishes we need policies which build sound platforms for documentary. That means taking an interest in policy for broadcasting, digital media and cinema – at least. Continue reading Passion and Policy – Documentary in Wales

Documentary practice – a secret room of golden light

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In the hour-long class I gave to Michigan State University students we had to use a large teaching room in order to have space to dance. On the back wall are four posters which I designed last year for the teaching I did on the Documentary  Pathway which is an option on the  M.A. in International Journalism at Cardiff University.  I stopped teaching on this course last year but the posters are still there so I took advantage of them briefly. The posters were an experiment in displaying some basic principles of practice. I’d like to focus on one of them here. It’s from an interview given by the late great American documentarian, Albert Maysles (Salesman, Gimme Shelter, Grey Gardens et al).

He addresses something which documentary-makers do not, in my experience, speak about often or readily. Maybe this is merely symptomatic of the fact that I’m of a generation that learned on the job and that revered good practice but talked little about theory. (Perhaps I’ll get a chance to explore that in the upcoming Wales Documentary Day, of which more in another post.)

Maysles talks about the gaze. Continue reading Documentary practice – a secret room of golden light

Munificent Documentary

 

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Some municipes at work on a Green Bay Media documentary shoot!

In the previous post I outlined the first half of an hour’s class I gave to students of Communications from Michigan State University as part of their British Mass Media Programme visit to the UK. Having considered how the ‘I’ of the film-maker interacts with the ‘You’ of other people, who are the subjects of the film, to create the ‘Us’ of the viewing community, we moved on to reflect on what Communication is, and what it is for, and furthermore what the role of a professional communicator might be – all in 20 minutes! Continue reading Munificent Documentary

Dancing into Documentary

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On May 22nd I gave a class for students of Communication from Michigan State University. Every year the university organises a trip to the UK for students to learn about the media here. For the last four years I’ve given the group an hour about documentary in Wales but since by now I’ve formed the impression that for most of them documentary is not an area that is high on their agenda I also offer a sort of basic consideration of what documentary is and what it can do.

As the group left yesterday one of them said, with a brilliant smile, ‘Thank you for teaching us to DANCE!’ So what has dancing got to do with documentary? Continue reading Dancing into Documentary

Crabb Deal on Broadcasting in Wales is not secure yet

See IWA Click on Wales blog page 9th March

Crabb Deal on Broadcasting in Wales is not secure yet

When Stephen Crabb, the Secretary of State for Wales, stood up on 27 February to proclaim a (fragile) cross-party consensus on further powers for Wales, he did so only hours after Ofcom, the media regulator, had closed its consultation on the future of public service broadcasting. Ofcom’s review and the Crabb ‘consensus’ represent potentially important milestones for broadcasting in Wales.

What the premature St. David’s Day agreement (a Sunday announcement was never on the cards) had to say about broadcasting, unsurprisingly, made no headlines, but it laid down an important marker for the coming debate on the BBC’s Charter and for the need to deepen Welsh involvement in media policy. There is a huge amount at stake both for viewers and for our television production industry.

Apparently, all four parties are now agreed on proposals that the IWA has supported and promoted for some years past in various publications, and in the evidence that it submitted to the Silk Commission by the UK’s Changing Union project in which it has been an active partner. It did so again last week in its response to Ofcom’s consultation document.

Mr. Crabb’s Command Paper says there was consensus around the following Silk Commission proposals: Continue reading Crabb Deal on Broadcasting in Wales is not secure yet

ACS and DOCS – Academics and TV Documentary-making

ACADEMICS AND TV DOCUMENTARY-MAKING

 A WORKSHOP for CARDIFF UNIVERSITY GRADUATE COLLEGE

11TH    February

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This is the fourth year I’ve presented this 3-hour workshop. I designed it as a contribution towards bridging the gap between the media and academia. I believe it still to be an unusual offer amongst university training because media training offered to academics is usually in the area of short-form and news-related input, not in long-form documentary. Between these two forms there are significant differences in working practice for journalists and, from the academics’ perspective, the skills needed to have a happy time as a contributor to a documentary are different to those that will produce a snappy sound-bite.

Academia and the media are two worlds which can intersect very fruitfully. However, when they don’t understand each other’s priorities and practices there are sometimes tears before bedtime.

The workshop is designed to examine key aspects of both worlds: what do they value? what do they want? what are they for? Where do these overlap and where must one recognise that they differ? Continue reading ACS and DOCS – Academics and TV Documentary-making

DNA CYMRU series gets underway

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8pm St David’s Day our new series on the history of Wales begins with an introductory programme. The series examines the potential of ancestral DNA to contribute towards the understanding of the past.

I have been very struck, while working on it, by a dual theme that emerges: Continuity  and Change. Humanity values both of these. Continuity promotes stability, the mastering of skills, the memorialising of the past so that it can feed the future. Change calls out new skills to integrate with established ones and it means encountering people and attitudes that challenge conclusions drawn from hard-won experience.

The material in the series has made me consider the relationship between the body and what we use the body to do; between ‘the givens’ of our lives – our physical inheritance – and the choices we make about our lives – our culture and our approach to life. Continue reading DNA CYMRU series gets underway

Academics and TV Documentary-making

Cardiff University Graduate College:

Workshop Design and Delivery: Academics and TV Documentary-making  11th February 2015
 Feedback: from last year’s workshop:

  • Ø  Useful for anyone investing in the media side of research, also interesting just to see how research can be translated into TV
  • Ø  A really valuable workshop if you like to be engaged with media
  • Ø  A great opportunity to understand how academics can engage with TV documentary production
  • Ø  It teaches/introduces the basics of academic – TV partnership
  • Ø  Worth doing if you are interested in how your research can be used in TV
  • Ø  An excellent way to prepare yourself for making a documentary incorporating academic knowledge/sources

All Things Considered: Annual Film Review

Brendan Gleeson stars in Calvary
Brendan Gleeson stars in Calvary

BBC Radio Wales Sunday 7th December

Unanimous praise for Calvary but disagreement over whether religion has ‘moved to the periphery of Irish life’

Fun being among the reviewers but I found myself at odds with them on this point.

Far from religion being on the side-lines, this film presents it as being so close to Irish hearts that its betrayal by clerical abuse of children results in a seething anger against clerics and the Catholic Church. Religion has failed but faith, in this film, is precious.

My favourite film, Bresson’s ‘Diary of a Country Priest’ is the model here. In both films a good priest is surrounded by embittered, suffering parishioners who taunt and confront him with the monstrosity and absurdity of suffering. There is plenty of jeopardy of the usual who-dunnit type but even more hangs on the risk that the priest will compromise his principles from sheer fellow-feeling.

A key role is that of the newly bereaved French wife whose clear-eyed acceptance of enormous loss proves a touchstone. Integrity, the coherence between what a person believes and what he or she does, is a major theme.

A great cast. Brendan Gleeson and his son, Domhnall are powerful in one of the many one-to-one encounters.

Why do we get angry at suffering as though it is something unexpected? That’s a question I feel this film put in front of me.

iPlayer Radio: http://www.bbc.co.uk/programmes/b04snkt6