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The Art of Boredom – Wales Arts Review

The Art of Boredom – Writers Lament

Boredom. Tedium. Monotony. Quiet. It’s been over a year since the pandemic exiled us to a repertoire of sofas, armchairs and kitchen-tables-turned-desks. Though the phenomenon of lockdown has been common across the board, few of us have experienced it in the same way. Here, Wales Arts Review compiles reflections from some of the finest writers of Wales on the elusive art of being, rejecting and wishing for boredom.

 

My piece:

Angela Graham

Whenever I’m bored it’s not because I lack options but because none of them appeals to me and their very unattractiveness saps my capacity to manufacture alternatives.

At Christmas, the prize for a cracker-pulling victory is sometimes a tiny spinning-top, like a tubby ballerina revolving en pointe. As a child, I’d set this little toy going in front of a small mirror. Its whirling action instantly doubled in the busy space before the mirror’s bright face. But on the other side of the mirror nothing was happening. Continue reading The Art of Boredom – Wales Arts Review →

PRAISE FOR ‘A CITY BURNING’

26 stories set in Wales, Northern Ireland and Italy, from the end of World War 2 to the Covid-19 pandemic.

‘The film-maker and screenwriter’s move into fiction brings with it an eye for perspective, for the power of the vignette to momentarily depict a whole life. There is a craft in the economy of Graham’s prose, as evocative as it is sparse, and the theme of change resonates throughout the collection, as well as the inherently human fear of it. We are not always prepared for the moment when our lives change for ever, and Graham seeks to capture that sense of knowing and not knowing here, inviting us into an intimacy with her characters that is never forced, and always elegiac.’ Becky Long The Irish Times

‘The stories entice and intrigue… highly recommended‘ Graham Reid

‘What fires the attention is Graham’s mastery of language and her ear for local speech of both the poetic and prosaic kind. Her experimentation with Ulster Scots in particular points to a new talent in Irish writing…’ Dr Frank Ferguson Northern Slant

‘This is an exemplary collection illustrating the creative possibilities of the short fiction form.’ Jane Fraser The Lonely Crowd

‘Short, sharp and sometimes shocking, these wonderful stories truly pack a punch.’         Sue Leonard The Irish Examiner

‘Angela Graham’s collection of short stories A City Burning … has a voice that feels completely new and fresh. With stories set in Wales, Northern Ireland and Italy it’s a broad ranging collection but what I particularly loved about it… was its nuanced and beautifully observed view of the human condition. Graham’s language has a searing quality yet also a humour about it that is genuinely hard to forget long after reading. Very highly recommended – I can’t wait to see what she does next.’ Kate Hamer, The Lonely Crowd

‘The prose is elegant with a clarity of voice and purpose… The use of Welsh and Ulster Scots in some of these stories brings a vivacity to the page… poignant and haunting stories lingering in the mind long after the book is closed.’ J.L.Harland 

‘Angela Graham’s debut collection A City Burning announced a confident, stylish new voice in short fiction.’ Jon Gower Nation Cymru

‘a fine writer… Some of these stories are short, jewel-like and almost Mansfield-esque in the way their protagonists achieve their epiphanies, reflecting Graham’s poetic training but also perhaps, in their reliance on visual imagery her career as a film-maker.’ Aidan Byrne Planet

‘the most striking element of Graham’s collection is the clarity of voice. Though each of the twenty-six stories employs a decidedly different perspective … Graham’s authorial command remains honest, insightful and impressive. The quasi-cinematic focus given to each story … gives the collection intriguing multiplicity and serves as a testament to Graham’s talent for interpersonal perception. The focus on linguistic exchange in A City Burning is also notable; English, Welsh, Ulster Scots, and Italian all converge to create a narrative that is both highly contextual and elegantly told. ‘ Gemma Pearson, Wales Arts Review

‘These stories show us what the genre does best: the ‘snapshot’ of a moment which reveals a life or a culture in a moment of transition or realisation, what James Joyce called an ‘epiphany’.’ Prof Diana Wallace University of South Wales

‘Graham’s background is in T.V. and film, and it shows in the writing… Her prose often has the deceptive simplicity of film, the tidiness created by the screen’s frame as well as that profound immersiveness… Each story is like a short film: its own world unfolding inexorably in front of our eyes yet retaining its power to surprise and shock.’ Sarah Tanburn The Cardiff Review

‘honest, searing, insightful and very, very good’ Inez Lynn New City

A Book of the Year 2020 for Nation Cymru and for The Lonely Crowd 

Longlisted for the Edge Hill Short Story Prize 2021.

A Writer’s Bursary from Literature Wales supported the development of this book.

Available here @SerenBooks £9.99 paperback £7.99 e-book

Review of A City Burning – Nation Cymru

Jane Fraser

The acclaimed Irish short story writer, Claire Keegan, has stated that, ‘the short story begins after what happens, happens.’ After the drama has passed is the territory the writer has to work within: a time, a place, and a context of emotional consequences where, after the water has been stirred up and settled, what was before, is not now.

The making of a short story into a beautiful art form is therefore a delicate and challenging craft.  And Belfast-born Angela Graham has risen to that challenge, exhibiting in her debut collection, A City Burning, twenty-six stories which allow the reader to feel the emotional intensity of a range of characters as they stand at pivotal moments in their lives in the aftermath of personal tragedy. Continue reading Review of A City Burning – Nation Cymru →

Time To Write Around The Coast of Ireland

Maria Isakova Bennett celebrates Poetry Day Ireland 2020 by the creation of a collaborative poem made up of lines she has selected from poems specially written on that day with the sea as a theme. I chose to write about Broughanlea Townland where I live near Ballycastle.

Her beautiful stitching work enhances the presentation of the lines as they create, together, a harmony of sea sounds.

Collaborative Litany – Time To Write Around The Coast of Ireland 2020

The opening section

My poem, FULL CIRCLE, BROUGHANLEA TOWNLAND, COUNTY ANTRIM is part of the work I am doing on Place and Displacement for which I recieved a SIAP Award from the arts Council of Northern Ireland in 2019.

Maria hopes to arrange a reading involving all 34 contributing poets around the coast of Ireland when circumstances allow.

This lovely project brings together poetry and embroidery, two things I’m very keen on. I have plans for a stitched seascape!

Reactions to ‘A City Burning’

A city burns in a crisis − because the status quo has collapsed and change must come. Every value, relationship and belief is shaken and the future is uncertain.

A CITY BURNING  Order here

A Book of the Year 2020 on Nation Cymru and The Lonely Crowd.

Books of the Year 2020: Part One

“This is an exemplary collection illustrating the creative possibilities of the short fiction form… All the stories allowed me to feel the emotional intensity of a range of characters as they stand at pivotal moments in their lives in the aftermath of personal tragedy. This is due, I believe, to the innate understanding that Graham has for the ‘stuff’ of the short story: suggestion rather than statement; rising tension rather than high drama; the power of the unsaid; and the realisation that endings are not neat and tidy and tied up!” Jane Fraser (The Lonely Crowd)

“a kind of clarity of languag… that rings off the page…  a voice that feels completely new and fresh… Graham’s language has a searing quality yet also a humour about it that is genuinely hard to forget long after reading. Very highly recommended – I can’t wait to see what she does next.” Kate Hamer (The Lonely Crowd)

“Angela Graham’s debut collection A City Burning announced a confident, stylish new voice in short fiction.” Jon Gower (Nation Cymru) Continue reading Reactions to ‘A City Burning’ →

Silver Branch Poet for January 2021

I’m delighted to have some of my work featured as Black Bough Poetry’s Poet of the Month in the Silver Branch Series.

The series is curated by Matthew M.C. Smith, poet, and editor of Black Bough Poetry, a project which promotes imagist micro-poetry.

Silver Branch showcases the work of a poet whose poems have appeared in a Black Bough Poetry publication. In my case:

Moon, Landing – Black Bough – Issue 2 (Apollo 11 edition)

Thaw & Quite All Right, Thank You – Deep Time (volume2)

Freedom  in the imminent Freedom / Rapture issue

Alongside these are 5 other poems. Plus a pair of poems – Triptych and Three Stones – inspired by images: respectively, a painting by Matthias Grünewald and three photographs by the writer and photographer, Phil Cope.

The photograph that heads this post is Winter Branch © Phil Cope. The magical Silver Branch of Celtic story ensures entry to the Otherworld. It’s something both natural and wrought, like a poem.

 

Seren Short Story of the Month from A City Burning

ALL THROUGH THE NIGHT – READ HERE

My story ‘ All Through The Night’ is Seren’s Short Story of the Month for December 2020. An extract from it is beautifully read by Geraint Lewis.

The story was first publsihed in Crannóg magazine which nominated it for the Pushcart Prize 2019.

A Book of the Year – A City Burning

I’m delighted that two authors in The Lonely Crowd’s Books of the Year feature Part One chose ‘A City Burning’ as a highlight of 2020 – Jane Fraser and Kate Hamer

and that Jon Gower selected it too in his Books of the Year for Nation Cymru.

Books of the Year 2020: Part One

NATION CYMRU

Wales’ Books of the Year, 2020 – what have our contributors been reading?

Writing Today in Ulster Scots

My blog for The Irish Literary Society: irishlitsoc.org

Why is it so hard to find writing in Ulster Scots among contemporary publications? Has it gone for good or is it poised to make a come-back?

Up to the mid-twentieth century it was commonplace to find Ulster Scots poetry and prose in literary magazines or in newspapers but now it is exceptional. Although there is a body of Ulster Scots work appearing in specialist sources this work often deals with the past. In contemporary creative writing, Ulster Scots is all but invisible. A language without a lively, multi-genre, modern literary and cultural presence is one that is struggling. The degree to which Ulster Scots achieves such a presence is a litmus test of feasibility and relevance, even of its existence as a spoken medium.

In the last census in 2011, there was, for the first time, a question about capacity in Ulster Scots. Based on the census returns, the Ulster-Scots Agency states “there are approximately 140,000 people who have indicated some ability in Ulster-Scots.” However, the number claiming a capacity to speak, read, write and understand Ulster Scots is only 0.9 per cent of the population of Northern Ireland. The spoken language is under pressure and the gap between the spoken and the written word has been allowed to widen.

Ulster Scots is the speech that developed (or whose development intensified) as a result of the in-migrations of Lowland Scots to Ulster from the early seventeenth century…

Read the full piece here: https://irishlitsoc.org/writing-today-in-ulster-scots/

About: The Irish Literary Society

The Irish Literary Society was established in London in 1892, succeeding the Southwark Irish Literary Club. Among its founders were W. B. Yeats, T. W. Rolleston, Francis Fahy and Douglas Hyde and other leaders of the Irish literary revival. The Society was formally founded with Sir Charles Gavan Duffy as President, at the Caledonian Hotel, The Strand, 12 May 1892. Evelyn Gleeson was its first secretary.

Stopford Brooke gave the inaugural lecture to the society on “The Need and Use of Getting Irish Literature into the English Tongue” (Bloomsbury House, 11 March 1893 – its delivery delayed to allow for the start of the National Literary Society in Ireland). Although the business of the ILS has always been conducted in English the Society was influential in nurturing the revival of the Irish language by programming language classes even before the Gaelic League was formed in 1893. 

Next event 8 December, 7pm

https://irishlitsoc.org/event/7th-annual-yeats-lecture-8-december-2020/

 


Profile in The Irish Examiner of ‘A City Burning’

A very positive verdict in The Irish Examiner from  Sue Leonard

Short, sharp and sometimes shocking, these wonderful stories truly pack a punch.

Sue’s long-running weekly profile Beginner’s Pluck offers a snapshot of a new writer and their debut work.

There’s a strong theme of witness in these 26 stories, which are set in Wales, Northern Ireland, and Italy. The characters face different challenges, from a failed marriage to eulogising a hated terrorist, but each of them is at a moment of change, needing to reassess their beliefs, or image of themselves. 

In an enjoyable interview with Sue she asked what I would be ‘in another life’. To my own surprise I said I would like to be an expert ballroom dancer. That will surprise those who know me but it’s true! I don’t watch Strictly but, yes, sweeping rhythmically around a floor is the life I haven’t had… yet.